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A close view of the base corner of an outdoor seating module after a rinse: a rail of warm oiled teak runs along the base outside the cushion, meeting a matte black powder-coated frame at a right angle, with fresh water beaded on both the timber and the edge of the off-white woven cushion above.

Care

Outdoor furniture in the Gulf is looked after in three verbs: rinse, dry, store. Everything below is one of those three applied to a particular material.

The register's finishes each want something slightly different. A metal frame, where a range has one, is powder-coated and wants the salt rinsed off it. The timber is teak, oil-sealed, and wants either an oil once a year or to be left alone; both are correct and it depends which colour you prefer. The weave is solution-dyed acrylic, which means the colour is in the fibre rather than printed on it, and it wants the dust brushed off before it gets wet.

None of that is difficult and none of it is often. What matters more than any of it is drying: water that leaves is harmless, and water that sits is the whole problem. Cushions dry on edge rather than flat, and a rinsed frame gets a cloth rather than an afternoon.

What this page will not do is promise you a decade. The coating film and the salt-spray hours are the fabricator's commitments and they have not been made yet, so they are marked here as absent rather than filled with a number that reads well.

Water that leaves is harmless. Water that sits is the whole problem.
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Timber

Every week, or when it looks dusty
Fresh water and a soft brush along the grain. Nothing else is needed.
Once a year, if you want the warm tone
A clear exterior oil, thinly, on dry timber, out of direct sun. Two thin coats beat one heavy one.
Or leave it
Teak silvers in sunlight to a soft grey and loses nothing by it. That is a finish, not a fault, and it is reversible with an oil whenever you change your mind.

Frame

Salt air
Rinse with fresh water and dry it. Salt left to sit is what gets under a coating; it is the single most useful thing you can do near the coast.
Marks
Mild soap, cool water, a soft cloth. No solvent and nothing abrasive.
A chip
Touch it up rather than leave it open. Tell us the piece and we will send the matched paint.

Not settledThe coating film thickness and the salt-spray hours are fabricator commitments and neither has been made yet. When they are, they will be published with the name of whoever stands behind them.

Weave and cushions

Dust
Brush it off before it is wet. Dust that has been rained on is a stain.
Washing
Solution-dyed acrylic takes mild soap and cool water. The covers come off, so a cover can be washed rather than a cushion scrubbed.
Drying
Air, on edge, out of direct sun. The foam core is quick-dry, which is what lets a cushion be left out in a shower rather than carried in.
Colour
The colour is in the fibre rather than printed on it, which is why a solution dyed weave holds its tone in Gulf sun where a piece-dyed one goes chalky.

Through the season

The furniture is drawn for a Gulf year: full sun, salt air and the summer. Through the hottest months, cushions keep their colour longer indoors or under cover, and the frames and timber are content where they stand.

Direct sun
Made for it. The weave is solution-dyed and the timber is oil-sealed; the timber will silver in Gulf sun unless it is re-oiled, and that is a decision rather than a fault.
Rain and humidity
Fine. Let a cushion dry on edge rather than flat, so the water leaves the way it came in.
Sand and dust storms
Brush first, rinse second. In that order, every time.

If something goes wrong

The range is built to be repaired rather than replaced: the cushions lift out and the covers come off. A worn cover is a cover, not a module.

Tell the studio what happened and we will tell you which part it is.

Not settledWhich parts are held as spares, and for how long after a range closes, is a commitment the fabricator makes at tender.

Materials

What it is made of, and what is not settled

The register names every finish and marks the 18 nobody has held yet. The frame alloy is absent on purpose: steel and aluminium are being quoted in parallel and nothing has been chosen.

Six material samples laid in a row across the right of a pale limewashed plaster surface: four outdoor weaves running from warm off-white through oatmeal and grey to charcoal, an offcut of oiled teak timber, and a flat chip of matte black powder-coated metal.

Order a sample

Up to four weaves, posted free within the United Arab Emirates. A name and an address, and nothing else. No account and no password.

Order a sample